The youthful face reflects the features seen on many statues depicting Tutankhamun (50.6), and the style of this magnificent life-size sculpture retains some of the softness and naturalism of the earlier Amarna period while looking forward to later Ramesside art. Although the scribal pose exhibits the frontal orientation common to all formal Egyptian statue, it may be appreciated more fully as a piece of sculpture in the round since it has no back pillar. These artistic conventions indicate that the subject has reached the age of wisdom. In this statue the unlined, youthful face is belied by the potbelly and the folds of flesh beneath the breasts. A figure of the god Amun is incised on his forearm, perhaps indicating a tattoo. Over his left shoulder is a strap with a miniature scribe's kit attached to each end. A shell containing ink lies on his left knee. Across his knees he unrolls a papyrus scroll on which he has composed a hymn to the god Thoth, patron of scribes. He sits erect, but relaxed, his gaze slightly down. By having himself depicted as a scribe, Haremhab declares himself to be among the elite group of literate individuals, thus following a tradition more than a thousand years old of depicting great officials as men of wisdom and learning. This statue was made before Haremhab ascended the throne. He continued to serve during the reign of Aya and eventually succeeded Aya as king. Haremhab was a royal scribe and general of the army under Tutankhamun.
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